Central section, blue "fruit" (cold, decay, death, etc) and slightly more angular paper cut.
All three together. The red-to-blue thing came from Mersh's use of black-to-white tones creating further depth in his sculptures.
Please excuse my hand.
I think that I could have secured each section slightly better, but it quite like the idea of the piece being diagonal rather than straight. As a functional thing you could probably make some pretty swanky lamp shades out of this.
(All pictures taken by me)







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